- #Life magazine photographer alfred eisenstaedt. professional#
- #Life magazine photographer alfred eisenstaedt. series#
He was "renowned for his ability to capture memorable images of important people in the news" and for his candid photographs taken with a small 35mm Leica camera, typically with natural lighting. Īmong his most famous cover photograph was V-J Day in Times Square, taken during the V-J Day celebration in New York City, showing an American sailor kissing a nurse in a "dancelike dip" which "summed up the euphoria many Americans felt as the war came to a close", in the words of his obituary. Life featured more than 90 of his pictures on its covers, and more than 2,500 of his photo stories were published. He began his career in Germany prior to World War II but achieved prominence as a staff photographer for Life magazine after moving to the U.S. All rights reserved.Alfred Eisenstaedt (Decem– August 23, 1995) was a German-born American photographer and photojournalist. Learn more about the Mid-Century Master Lecture Series.
#Life magazine photographer alfred eisenstaedt. series#
In October, a four-part lecture series will delve deeper into the world of photography. Read more about Dinnertime Documentaries.
This summer, a three-part film series featuring documentaries about other well-known photojournalists will explore ways that photographers define visual history. Mid-Century Master inspires an array of programs throughout the presentation of the exhibition. Commission of Fine Arts through the National Capital Arts and Cultural Affairs program. All exhibitions and programs are funded in part by the U.S. Chura, Kate and Bunky Markert, and Susan and David Thoms. Mid-Century Master: The Photography of Alfred Eisenstaedt is supported by the Marjorie Merriweather Post Foundation, Northern Trust, Ellen MacNeille Charles, Ms. The exhibition will also introduce Eisenstaedt’s practices for successful images, such as his ability to conceive and capture candid moments, his skillful mastery of natural light, and his unobtrusive, relaxed approach to working with celebrities and dignitaries. Other important prints to be featured are his Waiters on Skates series from 1932, his Farewell to Servicemen at Pennsylvania Station (1943), and his expressive Drum Major of the University of Michigan Rehearsing (1950). In addition to the photos from the sessions with Post, highlights of the exhibition include portraits of other twentieth-century celebrities, such as Marilyn Monroe, the Duke and Duchess of Windsor, Albert Einstein, Jackie Kennedy Onassis, Ernest Hemingway, and Frank Lloyd Wright. Despite the renown of his work, which includes his signature informal portraits of world leaders, politicians, philanthropists, scientists, artists, and writers, Eisenstaedt is lesser-known among modern photographers. Just as Marjorie Post carefully preserved her exemplary collections and her lifestyle for future generations, Eisenstaedt captured twentieth-century life as he documented the personalities, events, and experiences for posterity. As his reputation developed, Eisenstaedt included the photos he took of Post’s residences, pets, and her portrait alongside other distinguished Americans in several of his thirteen published books. The piece brought an abundance of fan letters to Post’s various addresses as the public found her both approachable and exquisite. They also discussed the album that Eisenstaedt gave to Post following the article’s publication. Post and Eisenstaedt corresponded occasionally through letters and telegrams, with the photographer sharing special prints of Scampi, Post’s beloved schnauzer and the Merriweather, her private jet. For the 1965 profile of Post, he took pictures of her at her three properties-Hillwood, Camp Topridge, and Mar-a-Lago. A decade later, Eisenstaedt photographed the celebrated V-J Day in Times Square (1945) on assignment for LIFE, cementing his place in photojournalism history and defining post-war exuberance for generations of Americans. Eisenstaedt traveled across Europe, capturing its cultural and political landscape as an inconspicuous, charming observer armed with minimal equipment on assignment as a freelancer and for the Associated Press before immigrating to the United States in 1935.
#Life magazine photographer alfred eisenstaedt. professional#
Born in present-day Tczew, Poland (formerly Dirschau, West Prussia), Eisenstaedt picked up his first camera as a boy, but did not become a professional photographer until the 1920s. Featuring nearly fifty Eisenstaedt photographs and ephemera from his career in photojournalism, this special exhibition will explore the relationship between Post and Eisenstaedt that evolved over the course of the sessions, the illuminating photos of Post, and the broader body of Eisenstaedt’s work documenting life in in the mid-twentieth century.Īlfred Eisenstaedt (1898-1995), was a photojournalist at LIFE from its inception under Henry Luce in 1936 until 1972, its final year of weekly publication.
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